Course Detail
Course Description
| Course | Code | Semester | T+P (Hour) | Credit | ECTS |
|---|---|---|---|---|---|
| INTRODUCTION to CINEMATIC ART | RTS1250770 | Spring Semester | 3+0 | 3 | 6 |
| Course Program | Çarşamba 14:30-15:15 Çarşamba 15:30-16:15 Çarşamba 16:30-17:15 Cumartesi 20:30-21:15 Cumartesi 21:30-22:15 Cumartesi 22:30-23:15 |
| Prerequisites Courses | |
| Recommended Elective Courses |
| Language of Course | Turkish |
| Course Level | First Cycle (Bachelor's Degree) |
| Course Type | Required |
| Course Coordinator | Assist.Prof. Kemal ÇELİK |
| Name of Lecturer(s) | Assist.Prof. Kemal ÇELİK |
| Assistant(s) | |
| Aim | |
| Course Content | This course contains; ,,,,,,Midterm Exam,,,,,,,. |
| Dersin Öğrenme Kazanımları | Teaching Methods | Assessment Methods |
| 14, 19, 37, 6, 9 | E, F | |
| 10, 6, 9 | ||
| A, E, F | ||
| A, D, F |
| Teaching Methods: | 10: Discussion Method, 14: Self Study Method, 19: Brainstorming Technique, 37: Computer-Internet Supported Instruction, 6: Experiential Learning, 9: Lecture Method |
| Assessment Methods: | A: Traditional Written Exam, D: Oral Exam, E: Homework, F: Project Task |
Course Outline
| Order | Subjects | Preliminary Work |
|---|---|---|
| 1 | ||
| 2 | ||
| 3 | ||
| 4 | ||
| 5 | ||
| 6 | ||
| 7 | Midterm Exam | |
| 8 | ||
| 9 | ||
| 10 | ||
| 11 | ||
| 12 | ||
| 13 | ||
| 14 |
| Resources |
| SOURCES SECTION A [T] Onaran, A. Ş., (2012). Sinemaya Giriş. 1.b., İstanbul: Agora. [1] Makal, O. (1996). Fransız Sineması. Ankara: Kitle (&Oğuz Makal). [2] Lanzoni, R. F. (2015). Başlangıcından Günümüze Fransız Sineması. Çev. Ertan Yılmaz, 1.b., İstanbul: Küre. [3] Vardar, B. (2012). Sinema ve Televizyon Görüntüsünün Temel Öğeleri. 3.b., İstanbul: Beta. [4] Hayward, S. (2014). Sinemanın Temel Kavramları. 1.b., İstanbul: Es. [5] Adanır, O. (2012). Sinemada Anlam ve Anlatım. 1.b., İstanbul: Say. [6] Wollen, P. (2014). Sinemada Göstergeler ve Anlam. İstanbul: Metis. [7] Andrew, J. D. (2010). Büyük Sinema Kuramları. Çev. Zahit Atam, 1.b., İstanbul: Doruk. [8] Clarke, J. (2012). Sinema Akımlar: Sinema Dünyasını Değiştiren Filmler. Çev. Çağdaş Eylem Babaoğlu, 1.b., İstanbul: Kalkedon. [9] Blown, B. (2014). Sinemtografi: Kuram ve Uygulama. Çev. Selçuk Taylaner, 4.b., İstanbul: Hil. [10] Atayman, V., Çetinkaya, T. (2016). Popüler Sinemanın Mitolojisi. 1.b., İstanbul: Ayrıntı. [11] Ranciére, J. (2016). Sinematografik Masal. Çev.Tacettin Ertuğrul, 1.b.. İstanbul: Küre [12] Sekmeç, A. C. (2014). Türk Sinemasında Görüntü Yönetmenleri 1914-2014. 1.b., Antalya: 51. Uluslararası Antalya Altın Portakal Film Festivali Yayını, ANSET Özel Sağlık ve Kültür İnş. Tic. Ltd. Şti. [13] Kaplan, F. N., Ünal Terek, G. (2011). Bilim Kurgu Sinemasını Okumak: Göstergebilimsel Yaklaşım. 1.b., İstanbul: Derin. [14] Türkoğlu, N., Öztürk, M., Aymaz G. [Yay. Haz.] (2014). Kentte Sinema Sinemada Kent. 1.b., İstanbul: Pales [15] Gabbard, G. O., Gabbard, K. (2014). Psikiyatri ve Sinema. Çev. Yusud Eradam, Esad Satılmışoğlu, 4.b., İstanbul: Okuyan Us. [16] Schnitzer, L. L., Martin, M. (2003). Devrim Sineması. 1.b., İstanbul: Agora. [17] Clark, T. (2011). Sanat ve Propaganda: Kitle Kültürü Çağında Politik İmge. Çev. Esin Hoşsucu, 2.b., İstanbul: Ayrıntı. SECTION B [1] Bazin, G. (2015). Sanat Târihi: Sanatın İlk Örneklerinden Günümüze, 1.b., Kabalcı Yay., İstanbul. [2] Gombrich, E. H. (1995), Story of Art, 16th. Ed., NewYork: Phaidon. [3] France, Farago (2011). Sanat, 2.b., DoğuBatı Yay., Ankara. [4] SakızlıOhannesPaşa, Yay. Haz. KahramanBostancı (2005). Güzel Sanatlar Tarihine Giriş, Hece Yay., Ankara. [5] Freud, S. (1999). Sanat ve Edebiyat, 1.b., Payel Yay., İstanbul. [6] Kandinsky, W. (2013). Sanatta Ruhsallık Üzerine, 1.b., Altıikikırkbeş Yay., Istanbul. [7] Clark, T. (2011). Sanat ve Propaganda, 2.b., Ayrıntı Yay., İstanbul. [8] Türkdoğan, Tansel (2014). Sanat Kültür Politika: Modernizm Sonrası Tartışmalar, 1.b., Nobel Yay., İstanbul. [9] Aykut, Aygül (2012). Sanat Eğitiminde Estetik, 1.b., Hayalperest Yay., İstanbul. [10] Eroğlu, Özkan (2013). Bir Resme Nasıl Bakmalıyız, 1.b., Tekhne Yay., İstanbul. [11] Sartori, G. (2004). Görmenin İktidarı, 1.b., Karakutu Yay., İstanbul. [12] Berger, J. (2016). Görme Biçimleri, Metis Yay, İstanbul. [13] Zeytinoğlu, E., Akay, A. (2013). Pisuarın Bir Dekonstrüksiyonu, 1.b., Minör Yay., İstanbul. [14] Turani, A. (2015). Sanat Terimleri Sözlüğü, 16.b.,Remzi Kitavbevi, İstanbul. |
Course Contribution to Program Qualifications
| Course Contribution to Program Qualifications | |||||||
| No | Program Qualification | Contribution Level | |||||
| 1 | 2 | 3 | 4 | 5 | |||
| 1 | PY1. Knows the basic concepts, theories and practices of Radio, Cinema and Television fields. | X | |||||
| 2 | PY2. Identifies facts about Radio, Cinema and Television and can analyze them with different methods. | ||||||
| 3 | PY3.Can carry out technical equipment, project production and management of Radio and Television Studios. | X | |||||
| 4 | PY4. He can use his competence by using his field knowledge, identify the problems encountered in business life and offer solutions. | ||||||
| 5 | PY5. Can perform synthesis and analysis for the Mass Media and visual media sectors. | ||||||
| 6 | PY6. Can recommend a communication plan in line with public and private sector needs. | X | |||||
| 7 | PY7.Can perform risk management and solve problems by using initiative in necessary situations related to the field. | ||||||
| 8 | PY8.Can propose and prepare projects related to the field and participate in sector competitions. | ||||||
| 9 | PY9.Can write scientific research on Radio Cinema Television and related media sectors, analyze them and turn them into scientific writing. | X | |||||
| 10 | PY10.Aims to establish reality in mass media journalism, dissemination and project production. | X | |||||
| 11 | PY11.Follows the development news and innovations related to the field and adopts lifelong education and literacy as a principle. | ||||||
| 12 | PY12. He uses his native language accurately and effectively, which is one of the requirements of his field, and can read and understand English field terminology at the B1 level. | ||||||
| 13 | PY13. Organizes and implements social events required by his/her profession; | ||||||
| 14 | PY14. He embraces his profession under all circumstances, within the scope of ethical, humane and conscientious values, and does not allow abuse. | ||||||
| 15 | PY15.Informs the masses with visual, audio and written news or other projects that reflect reality in the public or private sector, radio, cinema or television media groups within the framework of Mass Media. | ||||||
Assessment Methods
| Contribution Level | Absolute Evaluation | |
| Rate of Midterm Exam to Success | 40 | |
| Rate of Final Exam to Success | 60 | |
| Total | 100 | |
| ECTS / Workload Table | ||||||
| Activities | Number of | Duration(Hour) | Total Workload(Hour) | |||
| Course Hours | 14 | 3 | 42 | |||
| Guided Problem Solving | 14 | 1 | 14 | |||
| Resolution of Homework Problems and Submission as a Report | 14 | 1 | 14 | |||
| Term Project | 1 | 20 | 20 | |||
| Presentation of Project / Seminar | 1 | 25 | 25 | |||
| Quiz | 4 | 1 | 4 | |||
| Midterm Exam | 1 | 26 | 26 | |||
| General Exam | 1 | 34 | 34 | |||
| Performance Task, Maintenance Plan | 1 | 1 | 1 | |||
| Total Workload(Hour) | 180 | |||||
| Dersin AKTS Kredisi = Toplam İş Yükü (Saat)/30*=(180/30) | 6 | |||||
| ECTS of the course: 30 hours of work is counted as 1 ECTS credit. | ||||||
Detail Informations of the Course
Course Description
| Course | Code | Semester | T+P (Hour) | Credit | ECTS |
|---|---|---|---|---|---|
| INTRODUCTION to CINEMATIC ART | RTS1250770 | Spring Semester | 3+0 | 3 | 6 |
| Course Program | Çarşamba 14:30-15:15 Çarşamba 15:30-16:15 Çarşamba 16:30-17:15 Cumartesi 20:30-21:15 Cumartesi 21:30-22:15 Cumartesi 22:30-23:15 |
| Prerequisites Courses | |
| Recommended Elective Courses |
| Language of Course | Turkish |
| Course Level | First Cycle (Bachelor's Degree) |
| Course Type | Required |
| Course Coordinator | Assist.Prof. Kemal ÇELİK |
| Name of Lecturer(s) | Assist.Prof. Kemal ÇELİK |
| Assistant(s) | |
| Aim | |
| Course Content | This course contains; ,,,,,,Midterm Exam,,,,,,,. |
| Dersin Öğrenme Kazanımları | Teaching Methods | Assessment Methods |
| 14, 19, 37, 6, 9 | E, F | |
| 10, 6, 9 | ||
| A, E, F | ||
| A, D, F |
| Teaching Methods: | 10: Discussion Method, 14: Self Study Method, 19: Brainstorming Technique, 37: Computer-Internet Supported Instruction, 6: Experiential Learning, 9: Lecture Method |
| Assessment Methods: | A: Traditional Written Exam, D: Oral Exam, E: Homework, F: Project Task |
Course Outline
| Order | Subjects | Preliminary Work |
|---|---|---|
| 1 | ||
| 2 | ||
| 3 | ||
| 4 | ||
| 5 | ||
| 6 | ||
| 7 | Midterm Exam | |
| 8 | ||
| 9 | ||
| 10 | ||
| 11 | ||
| 12 | ||
| 13 | ||
| 14 |
| Resources |
| SOURCES SECTION A [T] Onaran, A. Ş., (2012). Sinemaya Giriş. 1.b., İstanbul: Agora. [1] Makal, O. (1996). Fransız Sineması. Ankara: Kitle (&Oğuz Makal). [2] Lanzoni, R. F. (2015). Başlangıcından Günümüze Fransız Sineması. Çev. Ertan Yılmaz, 1.b., İstanbul: Küre. [3] Vardar, B. (2012). Sinema ve Televizyon Görüntüsünün Temel Öğeleri. 3.b., İstanbul: Beta. [4] Hayward, S. (2014). Sinemanın Temel Kavramları. 1.b., İstanbul: Es. [5] Adanır, O. (2012). Sinemada Anlam ve Anlatım. 1.b., İstanbul: Say. [6] Wollen, P. (2014). Sinemada Göstergeler ve Anlam. İstanbul: Metis. [7] Andrew, J. D. (2010). Büyük Sinema Kuramları. Çev. Zahit Atam, 1.b., İstanbul: Doruk. [8] Clarke, J. (2012). Sinema Akımlar: Sinema Dünyasını Değiştiren Filmler. Çev. Çağdaş Eylem Babaoğlu, 1.b., İstanbul: Kalkedon. [9] Blown, B. (2014). Sinemtografi: Kuram ve Uygulama. Çev. Selçuk Taylaner, 4.b., İstanbul: Hil. [10] Atayman, V., Çetinkaya, T. (2016). Popüler Sinemanın Mitolojisi. 1.b., İstanbul: Ayrıntı. [11] Ranciére, J. (2016). Sinematografik Masal. Çev.Tacettin Ertuğrul, 1.b.. İstanbul: Küre [12] Sekmeç, A. C. (2014). Türk Sinemasında Görüntü Yönetmenleri 1914-2014. 1.b., Antalya: 51. Uluslararası Antalya Altın Portakal Film Festivali Yayını, ANSET Özel Sağlık ve Kültür İnş. Tic. Ltd. Şti. [13] Kaplan, F. N., Ünal Terek, G. (2011). Bilim Kurgu Sinemasını Okumak: Göstergebilimsel Yaklaşım. 1.b., İstanbul: Derin. [14] Türkoğlu, N., Öztürk, M., Aymaz G. [Yay. Haz.] (2014). Kentte Sinema Sinemada Kent. 1.b., İstanbul: Pales [15] Gabbard, G. O., Gabbard, K. (2014). Psikiyatri ve Sinema. Çev. Yusud Eradam, Esad Satılmışoğlu, 4.b., İstanbul: Okuyan Us. [16] Schnitzer, L. L., Martin, M. (2003). Devrim Sineması. 1.b., İstanbul: Agora. [17] Clark, T. (2011). Sanat ve Propaganda: Kitle Kültürü Çağında Politik İmge. Çev. Esin Hoşsucu, 2.b., İstanbul: Ayrıntı. SECTION B [1] Bazin, G. (2015). Sanat Târihi: Sanatın İlk Örneklerinden Günümüze, 1.b., Kabalcı Yay., İstanbul. [2] Gombrich, E. H. (1995), Story of Art, 16th. Ed., NewYork: Phaidon. [3] France, Farago (2011). Sanat, 2.b., DoğuBatı Yay., Ankara. [4] SakızlıOhannesPaşa, Yay. Haz. KahramanBostancı (2005). Güzel Sanatlar Tarihine Giriş, Hece Yay., Ankara. [5] Freud, S. (1999). Sanat ve Edebiyat, 1.b., Payel Yay., İstanbul. [6] Kandinsky, W. (2013). Sanatta Ruhsallık Üzerine, 1.b., Altıikikırkbeş Yay., Istanbul. [7] Clark, T. (2011). Sanat ve Propaganda, 2.b., Ayrıntı Yay., İstanbul. [8] Türkdoğan, Tansel (2014). Sanat Kültür Politika: Modernizm Sonrası Tartışmalar, 1.b., Nobel Yay., İstanbul. [9] Aykut, Aygül (2012). Sanat Eğitiminde Estetik, 1.b., Hayalperest Yay., İstanbul. [10] Eroğlu, Özkan (2013). Bir Resme Nasıl Bakmalıyız, 1.b., Tekhne Yay., İstanbul. [11] Sartori, G. (2004). Görmenin İktidarı, 1.b., Karakutu Yay., İstanbul. [12] Berger, J. (2016). Görme Biçimleri, Metis Yay, İstanbul. [13] Zeytinoğlu, E., Akay, A. (2013). Pisuarın Bir Dekonstrüksiyonu, 1.b., Minör Yay., İstanbul. [14] Turani, A. (2015). Sanat Terimleri Sözlüğü, 16.b.,Remzi Kitavbevi, İstanbul. |
Course Contribution to Program Qualifications
| Course Contribution to Program Qualifications | |||||||
| No | Program Qualification | Contribution Level | |||||
| 1 | 2 | 3 | 4 | 5 | |||
| 1 | PY1. Knows the basic concepts, theories and practices of Radio, Cinema and Television fields. | X | |||||
| 2 | PY2. Identifies facts about Radio, Cinema and Television and can analyze them with different methods. | ||||||
| 3 | PY3.Can carry out technical equipment, project production and management of Radio and Television Studios. | X | |||||
| 4 | PY4. He can use his competence by using his field knowledge, identify the problems encountered in business life and offer solutions. | ||||||
| 5 | PY5. Can perform synthesis and analysis for the Mass Media and visual media sectors. | ||||||
| 6 | PY6. Can recommend a communication plan in line with public and private sector needs. | X | |||||
| 7 | PY7.Can perform risk management and solve problems by using initiative in necessary situations related to the field. | ||||||
| 8 | PY8.Can propose and prepare projects related to the field and participate in sector competitions. | ||||||
| 9 | PY9.Can write scientific research on Radio Cinema Television and related media sectors, analyze them and turn them into scientific writing. | X | |||||
| 10 | PY10.Aims to establish reality in mass media journalism, dissemination and project production. | X | |||||
| 11 | PY11.Follows the development news and innovations related to the field and adopts lifelong education and literacy as a principle. | ||||||
| 12 | PY12. He uses his native language accurately and effectively, which is one of the requirements of his field, and can read and understand English field terminology at the B1 level. | ||||||
| 13 | PY13. Organizes and implements social events required by his/her profession; | ||||||
| 14 | PY14. He embraces his profession under all circumstances, within the scope of ethical, humane and conscientious values, and does not allow abuse. | ||||||
| 15 | PY15.Informs the masses with visual, audio and written news or other projects that reflect reality in the public or private sector, radio, cinema or television media groups within the framework of Mass Media. | ||||||
Assessment Methods
| Contribution Level | Absolute Evaluation | |
| Rate of Midterm Exam to Success | 40 | |
| Rate of Final Exam to Success | 60 | |
| Total | 100 | |