Course Detail
Course Detail
Course Description
| Course | Code | Semester | T+P (Hour) | Credit | ECTS |
|---|---|---|---|---|---|
| ARTHOUSE CINEMA | RTS3211999 | Spring Semester | 3+0 | 3 | 5 |
| Course Program |
| Prerequisites Courses | |
| Recommended Elective Courses |
| Language of Course | Turkish |
| Course Level | First Cycle (Bachelor's Degree) |
| Course Type | Elective |
| Course Coordinator | Prof.Dr. Meliha Nurdan TAŞKIRAN |
| Name of Lecturer(s) | Prof.Dr. Meliha Nurdan TAŞKIRAN |
| Assistant(s) | |
| Aim | The main aim of the course is to enable students to evaluate both Auteurs of the world cinema and the Turkish ones. |
| Course Content | This course contains; Regarding attendance at classes, the first paragraph of Article 26 of the Istanbul Medipol University Associate and Undergraduate Education and Training Regulation will be applied.,Introduction to the course, description of 'Auteur', course expectations and demands,Historical Background of Art Cinema,Through Realism to Art Cinema: Neo Italian Realism,Auteur Film Theory and Director-centred Cinema ,Modernism, Alignment and Art Cinema,European Auteurs: Bergman, Antonioni, Tarkovsky,revision and discussion ,Nouvelle Vague and Modern Cinema Vision,Postmodern Cinema and Deconstruction of Narration,Eastern Europe and Political Aesthetism: Post-Tarkovsky screen; Kieslowski, Bela Tarr ,Asian Art Cinema: Japan, Iran and Far East Aesthetism,New Hollywood, Independent Cinema, Art Cinema Interactions,Experimental Cinema, Video Art, and Transgression of Boundaries,Contemporary Art Cinema: Globalization, Digitalization, and New Narratives,Festival Cinema, Canon Formation, and the Institutionalization of Art Cinema. |
| Course Learning Outcomes | Teaching Methods | Assessment Methods |
| The student can tell an auteur's characteristics in films as setting, music, actors, cam angles, light effects, language, body language, director's presence on some scenes, naturality and using images to express his thoughts. | 10, 37, 9 | A, E |
| Teaching Methods: | 10: Discussion Method, 37: Computer-Internet Supported Instruction, 9: Lecture Method |
| Assessment Methods: | A: Traditional Written Exam, E: Homework |
Course Outline
| Order | Subjects | Preliminary Work |
|---|---|---|
| 0 | Regarding attendance at classes, the first paragraph of Article 26 of the Istanbul Medipol University Associate and Undergraduate Education and Training Regulation will be applied. | Prewatching is a requisite |
| 1 | Introduction to the course, description of 'Auteur', course expectations and demands | Visual samples or links given by the lecturer above to be watched. |
| 2 | Historical Background of Art Cinema | the links/ films above are for students to preview |
| 3 | Through Realism to Art Cinema: Neo Italian Realism | links/films/ web pages mentioned above to be previewed |
| 4 | Auteur Film Theory and Director-centred Cinema | Prewatching is a requisite |
| 5 | Modernism, Alignment and Art Cinema | Pre watching is a requisite |
| 6 | European Auteurs: Bergman, Antonioni, Tarkovsky | Pre watching is a requisite |
| 7 | revision and discussion | discussions on visual fragments |
| 8 | Nouvelle Vague and Modern Cinema Vision | Pre course activity -watching films- is a requisite. |
| 9 | Postmodern Cinema and Deconstruction of Narration | preview of the links is a requisite. |
| 11 | Eastern Europe and Political Aesthetism: Post-Tarkovsky screen; Kieslowski, Bela Tarr | Prewatching is a requisite |
| 12 | Asian Art Cinema: Japan, Iran and Far East Aesthetism | Prewatching is a requisite |
| 13 | New Hollywood, Independent Cinema, Art Cinema Interactions | prewatching is a requisite: https://www.studiobinder.com |
| 14 | Experimental Cinema, Video Art, and Transgression of Boundaries | Prewatching is a requisite |
| 15 | Contemporary Art Cinema: Globalization, Digitalization, and New Narratives | Prewatching is a requisite |
| 16 | Festival Cinema, Canon Formation, and the Institutionalization of Art Cinema | Prewatching is a requisite |
| Resources |
| Pösteki Nigâr, Yönetmen Sineması,Es Yayınları,2005, Istanbul Films, Books and articles on Quantin Tarantino, David Fincher,Christopher Nolan,Martin Scorsese,Stanley Kubrick, Steven Spielberg, Andrei Tarkovsky, P.T. Andersen, Gulliermo del Toro. |
| All docs including mentions of Derviş Zaim, Zeki Demirkubuz, Nuri Bilge Ceylan, Ferzan Özpetek, Fatih Akın films. |
Course Contribution to Program Qualifications
| Course Contribution to Program Qualifications | |||||||
| No | Program Qualification | Contribution Level | |||||
| 1 | 2 | 3 | 4 | 5 | |||
| 1 | PY1. Knows the basic concepts, theories and practices of Radio, Cinema and Television fields. | ||||||
| 2 | PY2. Identifies facts about Radio, Cinema and Television and can analyze them with different methods. | ||||||
| 3 | PY3.Can carry out technical equipment, project production and management of Radio and Television Studios. | ||||||
| 4 | PY4. He can use his competence by using his field knowledge, identify the problems encountered in business life and offer solutions. | ||||||
| 5 | PY5. Can perform synthesis and analysis for the Mass Media and visual media sectors. | ||||||
| 6 | PY6. Can recommend a communication plan in line with public and private sector needs. | ||||||
| 7 | PY7.Can perform risk management and solve problems by using initiative in necessary situations related to the field. | ||||||
| 8 | PY8.Can propose and prepare projects related to the field and participate in sector competitions. | ||||||
| 9 | PY9.Can write scientific research on Radio Cinema Television and related media sectors, analyze them and turn them into scientific writing. | ||||||
| 10 | PY10.Aims to establish reality in mass media journalism, dissemination and project production. | ||||||
| 11 | PY11.Follows the development news and innovations related to the field and adopts lifelong education and literacy as a principle. | ||||||
| 12 | PY12. He uses his native language accurately and effectively, which is one of the requirements of his field, and can read and understand English field terminology at the B1 level. | ||||||
| 13 | PY13. Organizes and implements social events required by his/her profession; | ||||||
| 14 | PY14. He embraces his profession under all circumstances, within the scope of ethical, humane and conscientious values, and does not allow abuse. | ||||||
| 15 | PY15.Informs the masses with visual, audio and written news or other projects that reflect reality in the public or private sector, radio, cinema or television media groups within the framework of Mass Media. | ||||||
Assessment Methods
| Contribution Level | Absolute Evaluation | |
| Rate of Midterm Exam to Success | 40 | |
| Rate of Final Exam to Success | 60 | |
| Total | 100 | |
| ECTS / Workload Table | ||||||
| Activities | Number of | Duration(Hour) | Total Workload(Hour) | |||
| Course Hours | 1 | 14 | 14 | |||
| Guided Problem Solving | 0 | 0 | 0 | |||
| Resolution of Homework Problems and Submission as a Report | 1 | 25 | 25 | |||
| Term Project | 0 | 0 | 0 | |||
| Presentation of Project / Seminar | 0 | 0 | 0 | |||
| Quiz | 0 | 0 | 0 | |||
| Midterm Exam | 1 | 50 | 50 | |||
| General Exam | 1 | 60 | 60 | |||
| Performance Task, Maintenance Plan | 0 | 0 | 0 | |||
| Total Workload(Hour) | 149 | |||||
| Dersin AKTS Kredisi = Toplam İş Yükü (Saat)/30*=(149/30) | 5 | |||||
| ECTS of the course: 30 hours of work is counted as 1 ECTS credit. | ||||||
Detail Informations of the Course
Course Description
| Course | Code | Semester | T+P (Hour) | Credit | ECTS |
|---|---|---|---|---|---|
| ARTHOUSE CINEMA | RTS3211999 | Spring Semester | 3+0 | 3 | 5 |
| Course Program |
| Prerequisites Courses | |
| Recommended Elective Courses |
| Language of Course | Turkish |
| Course Level | First Cycle (Bachelor's Degree) |
| Course Type | Elective |
| Course Coordinator | Prof.Dr. Meliha Nurdan TAŞKIRAN |
| Name of Lecturer(s) | Prof.Dr. Meliha Nurdan TAŞKIRAN |
| Assistant(s) | |
| Aim | The main aim of the course is to enable students to evaluate both Auteurs of the world cinema and the Turkish ones. |
| Course Content | This course contains; Regarding attendance at classes, the first paragraph of Article 26 of the Istanbul Medipol University Associate and Undergraduate Education and Training Regulation will be applied.,Introduction to the course, description of 'Auteur', course expectations and demands,Historical Background of Art Cinema,Through Realism to Art Cinema: Neo Italian Realism,Auteur Film Theory and Director-centred Cinema ,Modernism, Alignment and Art Cinema,European Auteurs: Bergman, Antonioni, Tarkovsky,revision and discussion ,Nouvelle Vague and Modern Cinema Vision,Postmodern Cinema and Deconstruction of Narration,Eastern Europe and Political Aesthetism: Post-Tarkovsky screen; Kieslowski, Bela Tarr ,Asian Art Cinema: Japan, Iran and Far East Aesthetism,New Hollywood, Independent Cinema, Art Cinema Interactions,Experimental Cinema, Video Art, and Transgression of Boundaries,Contemporary Art Cinema: Globalization, Digitalization, and New Narratives,Festival Cinema, Canon Formation, and the Institutionalization of Art Cinema. |
| Course Learning Outcomes | Teaching Methods | Assessment Methods |
| The student can tell an auteur's characteristics in films as setting, music, actors, cam angles, light effects, language, body language, director's presence on some scenes, naturality and using images to express his thoughts. | 10, 37, 9 | A, E |
| Teaching Methods: | 10: Discussion Method, 37: Computer-Internet Supported Instruction, 9: Lecture Method |
| Assessment Methods: | A: Traditional Written Exam, E: Homework |
Course Outline
| Order | Subjects | Preliminary Work |
|---|---|---|
| 0 | Regarding attendance at classes, the first paragraph of Article 26 of the Istanbul Medipol University Associate and Undergraduate Education and Training Regulation will be applied. | Prewatching is a requisite |
| 1 | Introduction to the course, description of 'Auteur', course expectations and demands | Visual samples or links given by the lecturer above to be watched. |
| 2 | Historical Background of Art Cinema | the links/ films above are for students to preview |
| 3 | Through Realism to Art Cinema: Neo Italian Realism | links/films/ web pages mentioned above to be previewed |
| 4 | Auteur Film Theory and Director-centred Cinema | Prewatching is a requisite |
| 5 | Modernism, Alignment and Art Cinema | Pre watching is a requisite |
| 6 | European Auteurs: Bergman, Antonioni, Tarkovsky | Pre watching is a requisite |
| 7 | revision and discussion | discussions on visual fragments |
| 8 | Nouvelle Vague and Modern Cinema Vision | Pre course activity -watching films- is a requisite. |
| 9 | Postmodern Cinema and Deconstruction of Narration | preview of the links is a requisite. |
| 11 | Eastern Europe and Political Aesthetism: Post-Tarkovsky screen; Kieslowski, Bela Tarr | Prewatching is a requisite |
| 12 | Asian Art Cinema: Japan, Iran and Far East Aesthetism | Prewatching is a requisite |
| 13 | New Hollywood, Independent Cinema, Art Cinema Interactions | prewatching is a requisite: https://www.studiobinder.com |
| 14 | Experimental Cinema, Video Art, and Transgression of Boundaries | Prewatching is a requisite |
| 15 | Contemporary Art Cinema: Globalization, Digitalization, and New Narratives | Prewatching is a requisite |
| 16 | Festival Cinema, Canon Formation, and the Institutionalization of Art Cinema | Prewatching is a requisite |
| Resources |
| Pösteki Nigâr, Yönetmen Sineması,Es Yayınları,2005, Istanbul Films, Books and articles on Quantin Tarantino, David Fincher,Christopher Nolan,Martin Scorsese,Stanley Kubrick, Steven Spielberg, Andrei Tarkovsky, P.T. Andersen, Gulliermo del Toro. |
| All docs including mentions of Derviş Zaim, Zeki Demirkubuz, Nuri Bilge Ceylan, Ferzan Özpetek, Fatih Akın films. |
Course Contribution to Program Qualifications
| Course Contribution to Program Qualifications | |||||||
| No | Program Qualification | Contribution Level | |||||
| 1 | 2 | 3 | 4 | 5 | |||
| 1 | PY1. Knows the basic concepts, theories and practices of Radio, Cinema and Television fields. | ||||||
| 2 | PY2. Identifies facts about Radio, Cinema and Television and can analyze them with different methods. | ||||||
| 3 | PY3.Can carry out technical equipment, project production and management of Radio and Television Studios. | ||||||
| 4 | PY4. He can use his competence by using his field knowledge, identify the problems encountered in business life and offer solutions. | ||||||
| 5 | PY5. Can perform synthesis and analysis for the Mass Media and visual media sectors. | ||||||
| 6 | PY6. Can recommend a communication plan in line with public and private sector needs. | ||||||
| 7 | PY7.Can perform risk management and solve problems by using initiative in necessary situations related to the field. | ||||||
| 8 | PY8.Can propose and prepare projects related to the field and participate in sector competitions. | ||||||
| 9 | PY9.Can write scientific research on Radio Cinema Television and related media sectors, analyze them and turn them into scientific writing. | ||||||
| 10 | PY10.Aims to establish reality in mass media journalism, dissemination and project production. | ||||||
| 11 | PY11.Follows the development news and innovations related to the field and adopts lifelong education and literacy as a principle. | ||||||
| 12 | PY12. He uses his native language accurately and effectively, which is one of the requirements of his field, and can read and understand English field terminology at the B1 level. | ||||||
| 13 | PY13. Organizes and implements social events required by his/her profession; | ||||||
| 14 | PY14. He embraces his profession under all circumstances, within the scope of ethical, humane and conscientious values, and does not allow abuse. | ||||||
| 15 | PY15.Informs the masses with visual, audio and written news or other projects that reflect reality in the public or private sector, radio, cinema or television media groups within the framework of Mass Media. | ||||||
Assessment Methods
| Contribution Level | Absolute Evaluation | |
| Rate of Midterm Exam to Success | 40 | |
| Rate of Final Exam to Success | 60 | |
| Total | 100 | |